I'm an animator who’s sort of obsessed with bringing still things to life. Whether it's a logo, a character, or just a shape that wants to move, I love finding the rhythm, the story, and the little quirks that make it feel real—or at least real enough to feel something. I didn’t get into animation just because it looks cool (even though, let’s be honest, it really does). It was more about the idea that movement could carry emotion, humor, tension—even silence. Over the years, I’ve worked on everything from slick brand animations to weird little passion projects that probably only make sense to me (and maybe a few others). And I kind of love that balance. My work tends to live at the intersection of clean design and expressive motion—though I’m not afraid to throw in some chaos when the moment calls for it. I use tools like After Effects, Blender, and whatever else helps get the job done without getting in the way of the idea. At the end of the day, I just like making things move in a way that makes people feel something—even if it’s just for a second.